Filippo Finazzi, an Italian castrato in Hamburg
Exactly 250 years ago, on 22 April 1776, the Italian castrato Filippo Finazzi—singer, composer, and former cavalry captain—died near Hamburg. Thirty years earlier, he had taken his leave from the Hamburg stage in an opera of his own making. To pay tribute to him, the Hamburger Ratsmusik is bringing several previously unheard symphonies and cantatas by this singular figure of 18th-century European opera back to life.
In the 16th century, the harpsichord of the Emperor of China
From Spain’s Golden Age to China’s Forbidden City, El clave del Emperador retraces the singular destiny of Diego de Pantoja, a Jesuit, musician, and mediator between two worlds. With Íliber Ensemble and Todos los Tonos y Ayres, the recording brings together harpsichord, Chinese instruments, and learned traditions to transform historical inquiry into a true sonic journey.
Traetta: “Ifigenia in Tauride”
We all know “Iphigenia in Tauris” by Gluck; here is the rarer setting by Tommaso Traetta, brought to disc by Christophe Rousset and Les Talens Lyriques. Recorded in Innsbruck, this release brings to light a different musical reading of the myth, poised between the legacy of opera seria and emerging dramatic priorities, and carried by a committed vocal cast. A discovery.
La Passione di Gesù
With “La Passione di Gesù”, Leonardo García-Alarcón signs his first major oratorio published under his own name. Inspired by Borges, Bach, Pasolini and the Gospel of Judas, the work creates a spiritual and musical labyrinth in which Judas, Mary Magdalene and the risen Christ become the figures of an inner Passion.
Reines
With “Reines”, Véronique Gens and the ensemble Les Surprises offer a journey through French opera, from Lully to the late eighteenth century. Between figures of power and wounded heroines, the programme unfolds a true dramaturgy, shaped by a collective approach and a keen sense of musical theatre.
“Tranquilles cœurs”
On this debut album, the Théodora ensemble takes listeners on a journey through France and the German-speaking world, from Lully and Campra to the Krieger brothers, where styles intersect and transform. Carried by a distinctive vocal palette and a finely articulated continuo, the recording highlights the variety of compositional approaches and characters.

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