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Two operas centered on the same character, Iphigenia, in Innsbruck—one staged by Ottavio Dantone and Accademia Bizantina, the other by Christophe Rousset and his ensemble Les Talens Lyriques.
A conversation with the belgian musicologist, who invites us to rediscover the musical ferment of Renaissance Europe, at the crossroads of circulating ideas, aesthetic upheavals, and great personalities.