We all know “Iphigenia in Tauris” by Gluck; here is the rarer setting by Tommaso Traetta, brought to disc by Christophe Rousset and Les Talens Lyriques. Recorded in Innsbruck, this release brings to light a different musical reading of the myth, poised between the legacy of opera seria and emerging dramatic priorities, and carried by a committed vocal cast. A discovery.
With “La Passione di Gesù”, Leonardo García-Alarcón signs his first major oratorio published under his own name. Inspired by Borges, Bach, Pasolini and the Gospel of Judas, the work creates a spiritual and musical labyrinth in which Judas, Mary Magdalene and the risen Christ become the figures of an inner Passion.

