
With “Reines”, Véronique Gens and the ensemble Les Surprises offer a journey through French opera, from Lully to the late eighteenth century. Between figures of power and wounded heroines, the programme unfolds a true dramaturgy, shaped by a collective approach and a keen sense of musical theatre.

With “Vieni, o Notte”, Francesca Aspromonte and Arsenale Sonoro delve into the intimate world of Scarlatti: three vocal works for soprano, two violins and basso continuo, interwoven with two sonatas for four instruments without harpsichord, form an album of striking poetic and musical unity.

Voces Suaves and Michele Vannelli approach Carissimi’s “Historia di Jephte” with attentive care and a palpable sense of engagement: nothing is overstated, the unfolding of the narrative speaks for itself, and it is from this precision that the emotion arises. Composed in the 1640s, the work has never left the repertoire, admired up to Handel, who reworked its final chorus in his “Samson”.
