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Every December, Toronto sees Handel return from beyond the grave to conduct Messiah, roared at full voice by 2,700 spectators. With its legendary Sing-Along, Tafelmusik transforms the 1741 oratorio into a collective celebration where history, humour, and musical fervour collide like nowhere else. Our contributor Kate Helsen, a member of the Tafelmusik Choir for over 20 years, describes the unique event.
Rain, marathon rehearsals, stress before the continuo run-through: in the second instalment of her Giulio Cesare diary in Salzburg, where she performed Cornelia last summer, French mezzo-soprano Lucile Richardot continues her chronicle of the adventure that is a production by director Dmitri Tcherniakov.
Gli Angeli Genève is celebrating its twentieth anniversary. For the occasion, conductor and artistic director Stephan MacLeod highlights a singular journey within the European Baroque landscape. Between Geneva roots, a quest for excellence, and wide-ranging exploration of the repertoire, the ensemble marks this milestone with a major event: the release of a box set gathering the complete Bach chorale cantatas, the result of nearly fifteen years of work.
Last summer at the Salzburg Festspiele, French mezzo-soprano Lucile Richardot performed Cornelia in Handel’s Giulio Cesare, in a staging by Dmitri Tcherniakov and with Emmanuelle Haïm as musical director. Between a bike ride, a rehearsal and a quick meal, she agreed to share with us the diary she kept during this singular adventure!

They are between 12 and 20 years old and play Vivaldi, Bach, or Zelenka on period instruments: the Bayerisches Jugend-Barockorchester upends the idea that Baroque music is a matter for specialists. An artistic and human adventure that reveals the zeal and high standards of a new generation.