A Franco-American harpsichordist born in Berkeley and based in Paris since adolescence, Lillian Gordis has established herself as a leading figure of her generation on the international stage. Acclaimed for the expressive power of her playing and her intellectual engagement, the “Martha Argerich of the harpsichord” is regularly invited to major festivals across Europe and the United States, while also pursuing a highly regarded recording career.
From statue to living body: based on the myth of Pygmalion, Camille Delaforge brings together two 18th-century French scores, Rameau’s ballet act and an unpublished cantatille by Antoine Bailleux, a contemporary composer who has fallen into oblivion. Performed by Mathias Vidal, this recording uses music to explore the very act of creation.
Gli Angeli Genève is celebrating its twentieth anniversary. For the occasion, conductor and artistic director Stephan MacLeod highlights a singular journey within the European Baroque landscape. Between Geneva roots, a quest for excellence, and wide-ranging exploration of the repertoire, the ensemble marks this milestone with a major event: the release of a box set gathering the complete Bach chorale cantatas, the result of nearly fifteen years of work.