Gluck: Iphigénie en Tauride at the Grand Théâtre de Genève

→Lukas Hemleb offers a taut, stripped-down reading of the Germanic composer’s tragedy, brought to life through a scenography of striking coherence. A compelling production, well worth revisiting.

Gluck: Iphigénie en Tauride at the Grand Théâtre de Genève

The Greek myth of Iphigenia has long inspired composers. While the Innsbruck Festival features two versions this summer—by Antonio Caldara (1713) and Tommaso Traetta (1763)—this production presents Christoph Willibald Gluck’s take from 1779, staged at the Grand Théâtre de Genève, in a production by Lukas Hemleb and under the musical direction of Hartmut Haenchen.

Gluck Reinvents Ancient Tragedy

Angel

Passionate about early music and want to read this subscriber-only article?

If you are not a subscriber, join the international Total Baroque community. Subscribe here from 5.00€.

I subscribe

If you are already a subscriber, sign in.

I sign in