Led by its founder on the cello rather than by a conductor at the podium, the ensemble is driven by a strong team spirit. Pulcinella has continued to surprise audiences for twenty years. Born around Vivaldi’s Sonatas, Ophélie Gaillard‘s ensemble has traveled through Europe’s Baroque cities via its programs—from Venice to London, Naples to Brussels—weaving a constant link between heritage and creation. Through recordings, collaborations with contemporary composers such as Philippe Hersant, outreach projects at the Necker Hospital in Paris, and regular support for the younger generation, Pulcinella seeks to embody a form of resistance in the face of the current fragility of the musical world.
How are things when you’re twenty?
Passionate about early music and want to read this subscriber-only article?
If you are not a subscriber, join the international Total Baroque community. Subscribe here from 5.00€.
I subscribeIf you are already a subscriber, sign in.
I sign in



You must be logged in to be able to post comments.
Sign in