Russian violinist, conductor and countertenor Dmitry Sinkovsky has emerged as a singular presence on the Baroque scene, distinguished by his command of bow, baton and voice — a versatility that has become his hallmark. At the helm of La Voce Strumentale, the ensemble he founded in 2011, he presents a programme poised between the Italian and German traditions, from the propulsive energy of Vivaldi to the refined conversational elegance of Telemann, balancing stylistic rigour with interpretative freedom.
An Italian–German programme
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